The difference a dink makes

The wind was a steady 25 knots, gusting over 30, blowing straight off the shore of the small island behind which we were anchored. Both of our dogs, whom refuse to to soil our boat (at least while we’re there) hadn’t relieved themselves in more than 24 hours and looked absolutely miserable.

dink10

I held tight to the standing rigging as I stood on the cabin top and looked over my small kayak trying to decide if I could even make any headway towards the island or if I’d be blown back past the boat and out into the middle of the bay if I attempted the trip to shore.

It wasn’t so much that I was worried about what would happen to me and two dogs in life jackets on a kayak — we’d just be carried ashore somewhere in San Leon. The problem was that if I couldn’t get back to the sailboat, Mary would be stranded there, unable to lift the anchor and leave.

That was the weekend we really began dinghy shopping.

But what type and size of a dinghy did we need and how would we power it?

dinkgif02

Luckily we had many boating friends also looking for dinghies, so we waited and learned from their experiences.

Our friends on the Tina Marie Too had a big double floor West Marine inflatable with a 20hp 4-stroke engine. It was comfortable. It planed up. It held a lot of people. It was way too big for our boat. We ruled out a fiberglass floor inflatable.

Our friends on Escondida had an 8′ slat floor inflatable with a 5 hp. It was small, light and could easily be lifted on and off the foredeck. It could also be rolled up and stowed in the cabin. It didn’t hold much, and it was very slow.

Our friends on Folie a Deux bought a Port-a-bote. It wasn’t too heavy, and it folded flat to tie against the lifelines. However, it was only rated for a 2.5 hp motor, and they got caught with a strong headwind in Matagorda Bay and couldn’t make any forward progress.

What we really thought we wanted was a Takacat. However, actual Takacat inflatables are quite expensive, so we started looking at the generic Saturn inflatable catamarans available. Our friends on Hippokampos got curious about them as well and bought one.

dink07.jpg

Not tapering together at the bow makes for a very wide dinghy. In fact, we referred to it as the barge. It was sort of a strange ride because you could feel the flex in the middle when a wave raised one pontoon and then the other. They’ve been cruising with it for over a year now, and you can actually read their entire review of it here. While they had no major complaints, we realized there was no way we could put a boat that wide on our foredeck, and we weren’t sure we’d even have the space to inflate and deflate it anywhere on Gimme Shelter.

dink08

We went back to thinking we would go with an 8′ slat floor roll-up with a 5hp Lehr propane engine. While small and slow, that seemed to be the best option for our 34′ sailboat. We also wouldn’t have to carry gasoline along with the diesel and propane we were already carrying. We started saving and kept waiting for the big sale at West Marine.

However, sometimes the right dinghy finds you.

dink02

Our friends over at SVMimzy.com asked if we were interested in a 10′ AB rigid floor inflatable with a Mercury 9.9 hp 2-stroke. While it was about ten years old, it was in really nice shape. I just didn’t think we could lift it or that we’d have space for it on the boat. I was incredibly surprised when the boat only weighed around 100 pounds, and I could pick it up and move it around myself — and it just barely fit on our foredeck. I have to lift it up and bit to open and close the anchor locker, but it works.

dinkgif03.gif

We’ve anchored out more times this year than in almost all of our past years of sailing combined thanks to being able to easily get the dogs back and forth to shore.

dink01

Of course, it’s been useful for more than just carting dogs around. Mary and I have made runs up and down the ICW from Bolivar to Stingarees.

dinkgif01

We can finally explore islands and anchorages together instead of taking turns on the kayak.

dink06

It’s also been great for carrying my photography equipment to shore. I’d never risk it on the kayak, but now I can get the camera, lenses and tripod all safely to shore to set up for great shots like this.

dink05

While we’re getting by with raising and lowering the dinghy and motor using our halyards, the next question is to davit or not to davit.

dink04

Advertisements

So how’s that music thing working out?

xmasparty

You might remember that we had devised a plan to play music as a means to make money while cruising. The idea of sailing town to town and rocking the tiki bars to pay our way around the Caribbean was romantic and enticing.

So will it work?!!!

We’d been taking part in marina jams and playing songs with our friends at open mics on a weekly basis for a while, but the question remained, could we actually book a “gig.”

We got started in March with a St. Patrick’s Day show playing as a 4-piece band.

Then a small wedding followed soon after, which was an eye opener to how rough it is to play in 90+ degree heat and extremely high humidity. We played that one as a three-piece.

I managed to book a few solo acoustic shows, which isn’t really what I was looking for since Mary and I wanted to play together, but it was a good test to see how things went over when we stripped out the guitar solos and vocal harmonies provided by our friends.

Then we got invited to play a police fund raiser as a four-piece band, which was a fun experience.

Then we actually grew to a five-piece band for another show at our favorite bar before finishing off the year as a four-piece at a corporate Christmas party.

The gross income from our seven paying shows  in 2016 was $2050 (not counting about $200 in tips and $200 in bar tabs.) However, we had to pay out $750 to our other players. That puts us at about $1300 for the year.

So what did we learn?

Four hours is a long time: If you want to get paid in the Houston market, you have to play four-hour cover shows. When you’re playing by yourself with no instrumental solos or jamming, that is a lot of songs. I ran through more than 60 songs per night, and by the end of several shows I was really scraping the bottom of the barrel for any song left to play. As we add more and more songs to the repertoire that won’t be as much of a problem, but working full time there is only so much time in the day to rehearse old songs and memorize new ones.

Equipment does make a difference: We started the year trying to mic the cajon with a Shure SM57. While it worked ok at the house when rehearsing, we could never get it loud enough at the bar without feedback. After a long debate, we finally spent the $239 to get a Shure Beta 91A that fits inside the cajon, and it solved all of our drum volume issues. This was a tough decision because the drum itself was only $175. It seemed absurb to invest more than the drum on a microphone for the drum, but in the end, it made a huge difference. I also retired my 20-year-old Shure SM58 vocal mic and replaced it with a $200 Sennheiser e945.

Good performances require rest: I currently have a wrist brace on my left arm. Practice makes perfect, but it turns out that too much practice makes for a pretty intense case of tendonitis. 12 hours a week seems to be my limit on guitar. Mary’s hands get quite swollen by the end of a show after slapping the cajon for hours. My voice also needs rest. Back in September I played four-hour shows two nights in a row, and my voice was already rough at the beginning of night two. By the end, it was really rough, which brings up the next thing I learned.

Not every performance is going to be good: Some nights nothing goes right. We’ve only had one show where things got really bad. It started ok. We had a nice group of friends come out to support us. The crowd was singing along. Unfortunately, I started losing my voice, and I ran out of songs. I thought I had a thick skin from my years in news and public relations, but getting a bad review and not being asked back to play a venue again really crushes the ego. There’s nothing to do except treat it as a learning experience and double down on the rehearsals, so that it doesn’t happen again.

We’re not going to make a living doing this: Yes, the dream is still to play live music as we cruise the Caribbean, but I have a hunch those bars pay even less than Houston bars. I think we were counting on competing against a smaller available talent pool in the islands, but that assumption may be wrong.

I’m not sure what our focus for 2017 will be. When we purchased our PA system we wanted something portable enough to fit in a dinghy to accomodate vocals, guitar and drums playing a restaurant or small bar. We’ve now got it maxed out with multiple vocalists, guitars, violin, bass, etc. While it’s a great portable rig, it’s not the right set up for a full band in large sports bars.

Hopefully we’ll get our foot in the door at some bars in Kemah closer to all of our marina friends.

Last but not least, we’ll be working on some new original music. Songwriting got put on the back burner while we crammed to learn enough cover songs to be able to fulfill our 2016 bookings. With that backlog of music under our belts, we’re ready to move forward with new songs in 2017.

If you have any song requests, please post them in the comments!

Shooting Stars at Lick Observatory

On the last day of my cousin Andrew’s wedding weekend he and his new wife Saara invited all of the friends and family out to Lick Observatory for a Sunday evening of desserts and star gazing.  The drive up to Lick was almost as exciting as the place itself.  We wandered over three windy mountain roads to get to the semi-secluded Mt Hamilton. The Observatories large domes make it a beautiful sight. The view from the top is breathtaking.

lickobs_05

Of course everyone wanted their picture taken in front of the sunset.

lickobs_01

After the wedding party had finished with all of their pictures, docents from the observatory treated us to an entertaining lecture on James Lick, the wealthy entrepreneur who funded the creation of the observatory back in 1888.  Lick was a colorful character who explored the world, buying and selling goods, and made his fortune in California real estate. As Lick aged he had a considerable amount of money to decide what to do with, and having no family, his two main ideas were to build a giant pyramid in downtown San Francisco in his own honor or to have a Statue of Liberty size statue made of himself in the harbor. Luckily the science community was able to convince him to instead fund this lovely observatory.

lickobs_09

One of the greatest treats of the evening was sitting in the room with the Great Lick Refractor.  This telescope is 57 feet long, and 4 feet wide.  When completed it was the largest in the world, and today is still the second. While honestly to me, the images were not that exciting, sitting in a room with that giant machine was.  Operated by a man spinning a ships wheel halfway up the telescope the telescope spins and so does the whole dome to match.  The men shout back and forth coordinates and directions to each other over the mechanical noise of everything moving. Meanwhile you walk your way up a metal ladder in the dark to a thin observation walkway, where you can see the whole thing taking place beneath you.

lickobs_02

Operating in the dark I think ads a bit of magic to all of it. They only use red lights like you’re inside a submarine or something. Also my mom and I decided that the thing sticking out of the side is obviously a laser.

lickobs_03

We were treated to a viewing of the Ring Nebula through the refractor, and then a nice close-up view of Saturn at the other end of the observatory looking through the 40-inch reflector. In addition to the big telescopes the docents also had some smaller but more modern telescopes set up outside. Many people took turns asking for specific constellations. Not knowing a lot about stars I asked some basic questions about our galaxy and really learned a lot from the people there helping.

lickobs_04

Fred was in heaven finally being somewhere without any light pollution, so that he could get photos of the Milky Way. I think he enjoyed taking those wide angle photos than seeing the stars close up through the telescopes.

lickobs_08

lickobs_07

We wrapped up the evening with a sing-a-long inside the great dome. The acoustics were amazing. It gave me that perfect mix of warm feelings and an inspiration to continue to learn and better myself that always comes from time with my family. Love you guys!

lickobs_06

 

Looking for those bookings

As has been mentioned in previous blogs, one of our ideas to slow the burn on our savings while cruising is to play music along the way as a source of income. In preparation we’ve started playing shows in the Houston area to hone our skills, make sure we have the right equipment, and add a little bit of cash to the cruising kitty.

Last week I played a solo acoustic show at Little Woodrow’s in Katy, Texas. It was nice that our Gimme Shelter T-shirts had just arrived the night before.

13588745_10101836624691502_25430710_o

This was a very last minute booking, so I was lucky that with less than 24 hours notice I still had 10 friends and blog readers come out to see me.

13840380_10101836624681522_1223329209_o

We’re currently trying to hard to book at least two shows per month for the rest of the year, hopefully some of which are in the Kemah area. As our schedule fills in, we’ll update the events calendar on our Facebook page.

Until then, here’s a new video of Mary and I covering Bubble Toes by Jack Johnson.

A little music for your weekend

We spent Thursday night hanging out with all of our musician friends at Jive Bar & Lounge Open Mic, and I shot a few videos this week. I’ll post some songs by Cerveza Road, Kristian Davis of Kollective Minds, and Jesse Avila of Poly Seude when we get back from the marina Sunday night after I have time to do some editing. Until then, I hope you’ll enjoy our cover of The Weight with our friend Justin Guy on bass.

Guitar Comparison: Gibson Hummingbird versus Epiphone Hummingbird Artist

The Gibson Hummingbird has always been my dream guitar. It had that rock and roll pedigree, mellow mahogany tone, and just enough flamboyance to make it a legendary instrument. There’s just one catch, it’s really expensive.

Epiphone_vs_Gibson_01

I fell in love with the Gibson back in my teens, and more than 20 years later, I finally have one (used, of course, I’m not crazy). However, needing another guitar for boating and camping, I was very curious as to the real differences between the Gibson and the very affordable Epiphone Hummingbird Artists. In fact, I found a blueburst B-stock Epiphone Hummingbird Artist for only $169.

Aside from the headstock you’d think the Epiphone would be a spitting image of the Gibson, but it’s definitely not. First off, their bodies, while both mahogany, are not quite the same size. The Gibson is slightly wider and deeper than the Epiphone with a more pronounced curve to the back.

Epiphone_vs_Gibson_03

Both guitars have a 24.75″ scale neck, which is probably my favorite aspect of the guitar. It really helps me reach some of those chords with wide spreads. While the Gibson neck does feel more refined, when switching back and forth between the two guitars, you essentially feel like you’re playing the same instrument.

The Epiphone has a synthetic bone nut and a truss rod cover with three screws while the Gibson has a real bone nut and a truss rod cover with only two screws.

The rosewood bridges are similar, but once again, the Epiphone has a synthetic saddle while the Gibson has a real bone saddle. However, the Gibson still has cheap plastic pegs to hold in the strings. Being outside of the saddle, I know they don’t affect tone, but for the price, you’d think Gibson would spend $1 for real bone there as well.

There’s a HUGE difference in the tuners. My Hummingbird has sealed grover tuners, and the newer Gibson models have sealed Gotoh tuners. Epiphone doesn’t even mention the brand of their cheapo tuners in any of their collateral. They’re pretty terrible. I had some serious trouble keeping the Epiphone in tune for the first few weeks I owned it, although it has gotten better. With the Gibson, it’s usually in tune when I open the case, and it never goes out. With the Epiphone, I have to make sure and tune it before I start playing, and I might need to readjust it once or twice throughout the course of a three-hour jam. (This is about on par with every sub-$400 guitar I’ve ever owned.)

Of course, the real signature of a guitar is it’s tone, so I made a short video comparing the Gibson Hummingbird to the Epiphone Hummingbird Pro. Both guitars have Elixir Custom Light strings, and the audio was recorded on a Zoom H2n set to 4 channel mode. If you’re reading/watching this on a phone or laptop, you’ll probably have to plug in some headphones to really hear the difference.

So there you have it, a detailed look at the differences between a Gibson Hummingbird and an Epiphone Hummingbird Artist.

Setlist

band3

  1. 3 a.m. – Matchbox 20
  2. 40 Day Dream – Edward Sharpe and the Magnetic Zeroes
  3. 1,000 Miles from Nowhere – Dwight Yoakum
  4. All Along the Watchtower – Bob Dylan Babe
  5. Babe I’m Gonna Leave You – Led Zeppelin
  6. Beast of Burden – The Rolling Stones
  7. Blue Eyes Crying in the Rain – Willie Nelson
  8. Bring it on Home – Led Zeppelin
  9. Brown-Eyed GIrl – Van Morrison
  10. Bubble Toes – Jack Johnson
  11. Change Your Mind – The Killers
  12. Cherry Cherry – Neil Diamond
  13. Creep – Radiohead
  14. Creep – Stone Temple Pilots
  15. Don’t Look Back in Anger – Oasis
  16. Free Falling – Tom Petty
  17. Hey Hey What Can I Do – Led Zeppelin
  18. Hey Joe – Jimi Hendrix
  19. High & Dry – Radiohead
  20. Ho Hey – Lumineers
  21. Jumpin Jack Flash – Rolling Stones
  22. Just Like Heaven – The Cure
  23. Karma Police – Radiohead
  24. La Bamba – Richie Valens
  25. Learning to Fly – Tom Petty
  26. Like a Rolling Stone – Bob Dylan
  27. Luckenbach Texas – Waylon Jennings
  28. Man on the Moon – REM
  29. Man Who Sold the World – David Bowie
  30. Margaritaville – Jimmy Buffet
  31. Mary Jane’s Last Dance – Tom Petty
  32. Maybe I’m Amazed – Paul McCartney
  33. Oh La Lah – The Faces
  34. One Headlight – The Wallflowers
  35. Pumped Up Kicks – Foster the People
  36. Ramble On – Led Zeppelin
  37. Riptide – Vance Joy
  38. Runnin’ Down a Dream – Tom Petty
  39. Save Tonight – Eagle Eye Cherry
  40. Slide – Goo Goo Dolls
  41. Space Oddity – David Bowie
  42. Stuck in the Middle – Steelers Wheels
  43. Sunday Morning – Maroon 5
  44. Supersonic – Oasis
  45. Tangerine – Led Zeppelin
  46. Under the Bridge – Red Hot Chili Peppers
  47. Wicked Game – Chris Isaak
  48. What is and What Should Never be – Led Zeppelin
  49. Where is my Mind- The Pixies
  50. Wild Horses – Rolling Stones
  51. Wonder Wall – Oasis
  52. You and Me – Lifehouse
  53. You and Tequila – Kenny Chesney
  54. You Shook Me – AC/DC

Tiny Desk Concert Contest

What do you do when it’s 39 degrees and raining outside? Stay in and play music, of course.

Mary and I just finished writing and recording Write You a Letter, our entry for the NPR Tiny Desk Concert Contest.

Tiny Desk Concert Contest

Note, as the contest requires we have a tiny desk, and Mary even uses a typewriter as one of the percussion instruments.

Whether or not we win, we figured the world can always use another song about sailing away.

Thanks for taking the time to listen, and I hope you enjoy.