Looking for those bookings

As has been mentioned in previous blogs, one of our ideas to slow the burn on our savings while cruising is to play music along the way as a source of income. In preparation we’ve started playing shows in the Houston area to hone our skills, make sure we have the right equipment, and add a little bit of cash to the cruising kitty.

Last week I played a solo acoustic show at Little Woodrow’s in Katy, Texas. It was nice that our Gimme Shelter T-shirts had just arrived the night before.

13588745_10101836624691502_25430710_o

This was a very last minute booking, so I was lucky that with less than 24 hours notice I still had 10 friends and blog readers come out to see me.

13840380_10101836624681522_1223329209_o

We’re currently trying to hard to book at least two shows per month for the rest of the year, hopefully some of which are in the Kemah area. As our schedule fills in, we’ll update the events calendar on our Facebook page.

Until then, here’s a new video of Mary and I covering Bubble Toes by Jack Johnson.

Gimme Shelter’s first “gig”

FirstGig01

When the idea of cruising comes around, you start analyzing all of your skills and talents in hopes of identifying something that might be profitable enough to indefinitely sustain your cruising kitty or at least “slow the burn rate” as Patrick Schulte says in his most recent book, Living on the Margin.

Things like sewing and mechanic work instantly come to mind, but Mary and I are also musicians. (Well, at least one of us is a musician … the other is a drummer. #InsertYourOwnDrummerJokeHere #DrummerJokesNeverGetOld)

The idea crossed our mind that perhaps we could supplement our income, or at least lessen our expenses, by playing music at marinas and bars throughout the ICW and the Caribbean.

Recently we met a couple from New York through Facebook who were already cruising and playing music as they went. Their band, Stell and Snuggs, does some interesting stuff. Reading their blog also brought up some important issues. Considering that most bars in the US pay musicians in cash, we hadn’t even thought about needing work permits just to play music outside the US, but apparently you do.

While we were having nice marina jam sessions every weekend, the question still remained, could we get paid? Therefore, we finally booked a show to test both our equipment and ourselves.

FirstGig02

However, most of the bars really wanted something more than just a duo, especially on weekends. Now, in Houston we have quite a few musician friends, so fielding a full band for St. Patrick’s Day was no problem, but I think Mary and I are going to have to step up our game when playing by ourselves.

We prepped about 50 songs, and we ended up rolling through a four hour show with music to spare. My voice was raw and Mary’s hands were swollen, but we did it.

firstgig03

And yes, we did get paid. For our first show we got $300 cash and a $50 credit on our bar tab. (We also found a whopping $1 tip in our tiny tip can.) Would that help supplement our cruising if we could play one or two shows per week? Absolutely! Is that anything comparable to what a bar might pay in Fort Myers, Florida or Dewey, Culebra? I have no idea.

A few lessons learned:

  • People enjoy top 40, but they get up and dance to oldies
  • We’ve got to further minimize our equipment or we’re going to have to buy a HUGE dinghy
  • Tip jars should be very large, well-labeled and right out front in the middle of the stage
  • We need to record some of our original songs and get them on the blog or on iTunes, so we have somewhere to send people when they ask about it.
  • Don’t forget the important harmonica!

A big thank you to all of our friends, blog readers and Facebook friends that came out to the first show. We haven’t scheduled any more shows at the moment, but if we do, I’ll keep you posted.

P.S. Feel free to post your favorite drummer jokes in the comments!

 

Want to see my G-string?

Any luthiers or guitar experts out there?

Gstring

I always keep a cheap guitar on the boat. I want it to sound decent, but if worse comes to worst, I don’t want to feel bad if I have to use it as a paddle.

My first boat guitar was an Epiphone Dove with a cracked neck that I procured for $30.

6319817649_ec09eec893_b

A little wood glue, and it was a nice player for about a year. Then the same spot on the neck broke again, so I stripped it for hardware and junked the body.

My current guitar is an Epiphone AJ. It was a B stock guitar with a few blemishes that I picked up new for $89.

8066503943_27d130f134_h

For the past two years or so, it played and sounded great. Unfortunately it has suddenly started popping G-strings. The last two times I’ve played it the G string has broken at the saddle with less than two hours of use. Then tonight I swapped the strings again, and the G broke while I was just tuning it.

I use Elixir strings, so they don’t rust out in a week on the boat, but they’re about $15 a set. When the guitar is worth less than $100, even $15 is a large investment, especially if the strings are now only lasting for an hour or two of play time. They were previously lasting for up to six months of weekend jams.

My Gibson has a bone saddle, and I see lots of them available on eBay for anywhere from 99 cents to $20. But how do I know they’ll fit, and is a 99 cent bone saddle really any good? Should I search for a replacement nylon/plastic saddle? Should I gift this guitar to a starving artist and find another sub-$100 boat instrument?

Right now I have a B string replacing the G string, so that there’s less tension, but it makes the tone a little funny. Using two B strings is definitely not a long-term solution.

Come on guitar experts, I know you’re out there. What in the world is going on with my guitar and how do I fix it (cheaply)?