London Calling: The show must go on

After some discussion with the local producer about replacing my car with a Camaro, it was decided that “The Phantom” needed the authenticity of a white 1967 Mercury Cougar to match the crime scene photos. A guy named Joe had trailered in a 1980s Ford Crown Victoria from Austin for the scene.

Joe, being an absolutely amazing guy, agreed to use his trailer to pick the Cougar up from the transmission shop where they had FINALLY looked at the problem around 3 p.m., but then said they wouldn’t get to it until Monday.

Three of us could not push this car up the ramp. She’s a heavy girl.

We deposited the Cougar in front of the gas pumps at the Sunny’s Convenience Store, carefully making sure the axle didn’t slide out when we were rolling it around.

These gas pumps don’t actually work. #acting

Mary’s one question was whether or not there would be a food buffet where all the actors could just graze in between shoots. There was — sort of.

As the production assistants finished setting up lights and removing all the blatantly modern signage from the gas station, I was issued my authentic 1983 street wear — a grey polo with a grey sweater. Apparently in the crime scene photos, Kevan Baker was also wearing a hat, so they stole a sweaty baseball cap off one the PAs and stuck it on my head.

I’m going to look goofy as heck in this movie. Also, watch for continuity because the bloody, dying gas station attendant falls into my arms. However, that meant my sweater got bloody on take one, and we did it about 25 times. Then we switched back to some pre-death scenes after I was bloody. Should be interesting to see if it shows.

Hurry up, and wait. That’s what making movies is all about.

So after all the intense gas pumping, stabbing, and first aid scenes, they wrapped it up with a Police ID of … you guessed it, the wrong Carlos. To add a bit of irony, the actor who played the actual killer was used as a stand-in with the Police for the ID scene.

They shot this scene from behind the car to catch the bright mag lights shining in onto the perp. They had instructions to let the light wander off the guys face onto the camera lens and then back. I’m really curious to see what it actually looked like in the camera.

The Cougar rolled out of scene, taking 5.

Once we finally wrapped, Joe trailered the Cougar back to our hotel and unloaded her in the parking lot for me before going back to the set for his police cruiser. Thanks, Joe!

Now we just have to get the Cougar back to Houston …

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